Giuditta Isoldi – FloReMus – MUSICAL VISIT: The Sound of Manuscripts/L’Homme Armé Consort

FloReMus – VISITA MUSICALE: Manoscritti che suonano/L’Homme Armé Consort

Canzoni europee nella Firenze del Quattrocento

L’Homme Armé Consort

European Songs in 15th-Century Florence

📍 Biblioteca Riccardiana, Via Ginori 10, Florence

🗓️ September 15

🎟️ Free admission – reservations required

Program:

Music by Hayne Van Ghizeghem, Johannes Ockeghem, Josquin Desprez, Arnolfo Giliardi

Artists:

    • Elena Mascii, voice
    • Lisa Soardi, lute
    • Giuditta Isoldi, Renaissance transverse flute
    • Giulia Maccabei, vielle

Curated by Roberta Masini and Fabio Lombardo

About the Event

After an introduction to the history of the Riccardiana Library by director Roberta Masini, visitors will tour the library’s monumental rooms: the Exhibition Hall, the Director’s Hall (where rare Renaissance song manuscripts will be on view), and the Reading Room with its magnificent frescoed ceiling by Luca Giordano.

As in the times of the Riccardi family—one of the wealthiest and most powerful in Florence—the doors between the Reading Room and the palace’s grand reception space, the Hall of Mirrors, will be opened for a short concert. Inspired by manuscripts 2356 and 2794, the program offers a glimpse into the musical tastes of Europe’s most important courts, including several “hits” that circulated widely across the continent.

Reservations

All places are currently fully booked. To join the waiting list, please email: [email protected] with the subject line: “Waiting List September 15.”

Reservations remain valid until 15 minutes before the start of the event.

Wittenberger Renaissance Musikfestival – Ren-Pop: Hits des 16. Jahrhunderts vom Hof bis zum Biergarten

Ren-Pop: Hits des 16. Jahrhunderts vom Hof bis zum Biergarten

The Attaignant Consort // Kate ClarkAmanda Markwick, João Carlos Santos und Giuditta Isoldi, Renaissance-Traversflöten // mit Nigel North, Laute

So, 22.09.2024 | 17 Uhr | Klosterkirche
Popmusik der Renaissance
Hits von damals und heute
The Attaignant Consort
Ticket 25 Euro/ermäßigt 22 Euro

Ticekts

The Attaignant Consort – “Madame d’amours”

Madame d’amours – Das goldene Zeitalter der Renaissance-Traversflöte;

The Attaignant Consort:

Kate Clark, Amanda Markwick, João Carlos Santos und Giuditta Isoldi (Renaissance flutes)

with Nigel North (lute)

Orgelpark Attaignant Consort Portret

De magische ervaring van een renaissancefluit

Jolanda Breur

Als musicus gespecialiseerd in de historische fluit speel je op verschillende fluitinstrumenten. Maar één is er koning, volgens Kate Clark van het Attaignant Consort. En die krijgt ruim baan op 7 december in het Orgelpark.

 

Het is een eenvoudig, cilindrisch instrument, uit één stuk hout gemaakt. Er komen geen klepjes of metaal aan te pas. Het heeft zes vingergaatjes, is niet te stemmen en toch kun je er alles mee spelen wat in de vijftiende en zestiende eeuw geschreven is. Zelfs de meest virtuoze diminuties. De klank is bijzonder en zacht als fluweel. Wanneer de vier leden van het Attaignant Consort op hun renaissancefluit spelen, is het alsof … MEER

Workshop:Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort with Amanda Markwick

Pierre Attaingnant – Vingt et sept chansons musicales a quatre parties (1533) für Renaissance Flöten Consort
20./21. Oktober 2018

Workshop with Amanda Markwick.

Pierre Attaingnant (1494-1552) printed his first book of music in 1528 with a Royal Privilege by Francois I. With this, he set a very high standard, and it didn’t take long until he was famous for the quality of his products.

The 1533 print of 27 chansons (in fact, there are 28, but maybe the title was already printed and nobody wanted to change it?) combines compositions of 8 composers, Claudin de Sermisy being the most prominently featured. The others are Guillaume Le Heurteur, Pierre Passerau, Pierre Vermont, Jacotin, Johannes Lupi, Nicolas Gombert and Pierre de Manchicourt. They took state-of-the-art poems and set them to music in a new, straightforward style, full of imagination.

On the title page, Attaingant marks the pieces that are suitable for flutes (21 in total). We’ll concentrate on these pieces for the workshop.

This workshop is for professionals, conservatory students, or high-level amateurs. A little knowledge of Renaissance flute (especially the fingerings) is preferred but not strictly necessary.

Wochenend Workshop im Dominikanerkloster St. Paulus in Berlin / Samstag / Sonntag 9-17 Uhr

Register – workshop

DEUTSCH / ENGLISH